I have been a performer in experimental music since 2014. My work explores the
transition of sound through various manipulations within the context of today’s
consumption in technology and internet world, particularly through delayed or
transmitted signal and body movement. I am influenced by the idea of
the Futurism on how they took keen interest in forward thinking, speed,
industry, and movement.

Growing up in Thailand where meditation is a ritual part of culture, I was influenced by its practice of a deep critical realization of our spontaneous reaction to all surroundings which led me to be deeply interested in the idea of synesthesia. The way I perform live, by continuously repeating and looping until realizing the notion of new discovery of each sound in each action, which comparatively similar to how I have been practiced
Buddhist meditation. The present is the past as we speak and the sound I capture is how I focus on the past. This is the sound of our present in the virtual world and the creation of our consumption of technology. I make my sound by taking objects that are not corrected the way it is supposed to and gather these noises to create a new layered sound to recreate the moment that was once had. I make my sound by recording objects that are not used the way we traditionally use then, such as using the static when rubbed against my skin, to the noise of cloths rubbing against piezo pick up, each individual noise exist only as noise but when layer creates a new sound of a past present and creates a moment that once was.

I believe the world of internet does exist physically in space even though we cannot see or touch. Similarly to the world of internet, my performance questions the transition of aesthetic in art affected by today’s internet consumption behavior. Translation of internet and technology never be in present, always uploading. From that imperfection, I took that as a part of my work. I made my sound by capturing cellphone real-time feedback of guitar amplifier. Serendipitous creations of sound that is made in reaction to the present circumstances. The harmonies of presence and absence, imperfection and daily life are my essential of my art.

Now as an experimental music performer, I have worked with other talented performers writing pieces that merge improvisational forms with electronic structures that demonstrate the ideas of futurism with merging improvisational forms with electronic structures that create sound art and
sculpture. I have begun my work to move towards futurism and I would like carry it in
this new generation.